Art Work Super Store
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| Van Gogh's Chair, c.1888 |
| Vincent Van Gogh |
| 24x32 Fine ... |
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| Self Portrait with Grey F... |
| Vincent Van Gogh |
| 12x16 Fine ... |
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| The CafC) Terrace on the P... |
| Vincent Van Gogh |
| 24x32 Fine ... |
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| Olive Trees, c.1889 |
| Vincent Van Gogh |
| 30x26 Fine Art Print |
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| Mulberry Tree, c.1889 |
| Vincent Van Gogh |
| 28x24 Fine Art Print |
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| Starry Night over the Rhone, c.1888 |
| Vincent Van Gogh |
| 48x39 Fine Art Print |
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| Sunflowers, c.1888 |
| Vincent Van Gogh |
| 28x39 Fine ... |
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| The Sower, c.1888 |
| Vincent Van Gogh |
| 32x24 Fine Art Print |
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| Wheatfield with Crows, c.1890 |
| Vincent Van Gogh |
| 37x21 Fine Art Print |
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| Wheatfield with Cypresses, c.1889 |
| Vincent Van Gogh |
| 26x21 Pre-made F... |
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| Vase with Twelve Sunflowe... |
| Vincent Van Gogh |
| 15x20 Fine ... |
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| A Vase of Roses, c.1890 |
| Vincent Van Gogh |
| 16x20 Fine ... |
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| The Red Vineyard at Arles, c.1888 |
| Vincent Van Gogh |
| 20x16 Fine Art Print |
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| Almond Blossom San Remy 1890 |
| Vincent Van Gogh |
| 22x17 Stretched ... |
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| Fishing Boats on the Beach at Saints-... |
| Vincent Van Gogh |
| 20x16 Fine Art Print |
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| Houses at Auvers, c.1890 |
| Vincent Van Gogh |
| 16x20 Fine ... |
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| Cafe Terrace at Night |
| Vincent Van Gogh |
| 35x43 Pre-... |
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| Van Gogh Visions |
| Vincent Van Gogh |
| 48x17 Fine Art Print |
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| The Night CafC) in the Place Lamartine... |
| Vincent Van Gogh |
| 10x8 Fine Art Print |
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| Olive Trees, 1889 |
| Vincent Van Gogh |
| 35x29 Pre-made F... |
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| Vase of Lilacs, Daisies a... |
| Vincent Van Gogh |
| 28x39 Fine ... |
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| Field of Poppies, Auvers-Sur-Oise, c.... |
| Vincent Van Gogh |
| 32x24 Fine Art Print |
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| View of Arles with Irises |
| Vincent Van Gogh |
| 35x23 Stretched ... |
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| The Bedroom at Arles, c.1887 |
| Vincent Van Gogh |
| 10x8 Fine Art Print |
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Vincent Van Gogh Prints
Vincent van Gogh, for whom color was the chief symbol of expression, was born in Groot-Zundert, Holland.
The son of a pastor, brought up in a religious and cultured atmosphere, Vincent was highly emotional and
lacked self-confidence. Between 1860 and 1880, when he finally decided to become an artist, van Gogh had
had two unsuitable and unhappy romances and had worked unsuccessfully as a clerk in a bookstore, an art
salesman, and a preacher in the Borinage (a dreary mining district in Belgium), where he was dismissed for
overzealousness. He remained in Belgium to study art, determined to give happiness by creating beauty. The
works of his early Dutch period are somber-toned, sharply lit, genre paintings of which the most famous is
"The Potato Eaters" (1885). In that year van Gogh went to Antwerp where he discovered the works of
Rubens and purchased many Japanese prints.
In 1886 he went to Paris to join his brother Théo, the manager of Goupil's gallery. In Paris, van Gogh studied
with Cormon, inevitably met Pissarro, Monet, and Gauguin, and began to lighten his very dark palette and to
paint in the short brushstrokes of the Impressionists. His nervous temperament made him a difficult
companion and night-long discussions combined with painting all day undermined his health. He decided to go
south to Arles where he hoped his friends would join him and help found a school of art. Gauguin did join
him but with disastrous results. In a fit of epilepsy, van Gogh pursued his friend with an open razor, was
stopped by Gauguin, but ended up cutting a portion of his ear lobe off. Van Gogh then began to alternate
between fits of madness and lucidity and was sent to the asylum in Saint-Remy for treatment.
In May of 1890, he seemed much better and went to live in Auvers-sur-Oise under the watchful eye of Dr.
Gachet. Two months later he was dead, having shot himself "for the good of all." During his brief career he
had sold one painting. Van Gogh's finest works were produced in less than three years in a technique that
grew more and more impassioned in brushstroke, in symbolic and intense color, in surface tension, and in the
movement and vibration of form and line. Van Gogh's inimitable fusion of form and content is powerful;
dramatic, lyrically rhythmic, imaginative, and emotional, for the artist was completely absorbed in the
effort to explain either his struggle against madness or his comprehension of the spiritual essence of man
and nature.
